I just returned from the Taos Writing Retreat for Health Professionals in New Mexico. I attended last year, too.
New Mexico first piqued my interest when Natalie Goldberg referred to it so fondly in her book “Writing Down the Bones.” I try to piggyback medical conferences onto travel destinations, and alternate evidence-based review conferences with those exploring the art of medicine. I was due for some humanities, so when I learned of the Taos retreat last summer, I registered. A dozen medical professionals gathered for a week to write at the historic home of art patron Mabel Dodge Luhan, in a small town north of Santa Fe? This was my tribe.
And they were. There was a urologist turned novelist from the Midwest, a San Francisco-based hematologist from the biotech industry, and a medical anthropologist nearing retirement. There was a soft-spoken neonatologist that I’d met at a writing course in Iowa the year before, and a witty radiologist from Michigan that I hoped to meet again (and who returned this year!). We were a diverse group, but our pleasure in gathering to read and discuss Donald Hall’s poem "The Ship Pounding" was the same.
We spent mornings in the classroom, and had the option to meet individually with faculty in the afternoon to discuss writing, wellness and/or career. The rest of the time we were free to write and explore.
Most of us last year were at a career transition point. Several wanted to reduce their clinical load, some were planning retirement, and one was about to start a position in Alaska. I’d resigned from the refugee clinic months earlier. I was professionally disoriented, with plenty of ideas but no direction. I had written a book proposal but was second-guessing it. I left the retreat last August with a much clearer idea of professional and creative next steps.
I decided impulsively two weeks ago to attend the Taos retreat again. It seemed like a meaningful way to bookend the last twelve months. I flew out with my almost completed book manuscript in my carry-on, and five weeks remaining before the start of a residency in Public Health at UBC. I wanted one last vacation and some peace in which to finish the book.
I holed up in a hotel in Santa Fe for four days first, with chapters spread out over the tiled floor and visits to museums, galleries and historic sites when I needed to fill the well. I spent every meal with a novel.
Then I headed to the Taos retreat for the week. The faculty, food and lodging were top-notch, again, and It was another great group. Of the fourteen attendees, three were men, thirteen were American but didn't want to talk politics, nine were physicians, one was a CEO and three knew what a Calvinette was. Want a group to cohese rapidly? Give them a safe place to write and share their work with each other.
I didn't get DH Lawrence's bathtub, but I did get Mabel Dodge Luhan's bed. I woke to sunshine every morning. There were afternoon thundershowers and pre-dinner drinks. I wasn't looking for career direction, but I got some. And on the morning of my last day, I emailed my agent my manuscript: 47,292 words.